this christmas

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For one human being to love another; that is perhaps the most difficult of all of our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation.

~Rainer Maria Rilke

You thought that this was going to be about what you would give this Christmas to the legions of doctors and nurses you’ve seen: a thesaurus to each of the unkind ones. You were going to riff on Orwell’s essay, “Politics and the English Language,” making a point about his argument, “A speaker who uses [stock] phraseology has gone some distance toward turning himself into a machine.” That, indeed, the rote phrases MDs use, like “quality of life” and other such drivel, amplify the blunt force of being anatomized and are central to the often mechanical nature of patient doctor interactions. You were going to concur with Orwell regarding his ideas that “language corrupts thought” and “the invasion of one’s mind by ready-made phrases […] can only be prevented if one is constantly on guard against them, and every such phrase anaesthetizes a portion of one’s brain.” You were all set to prove that if health care professionals paid attention to using words dictated more by solicitude than by litigiousness, it could have the serious effect of healing callousness, of building heart. That by starting with language we could get rid of all the anesthetized parts and give rise to interactions more humane in those sterile, fluorescent rooms where so much of consequence transpires.

But you will save this for another time because you instead find yourself taking out your mouth guard, as it were, unclenching your fists and slackening. You realize that you are still waiting to awaken from the surgery that was supposed to lead to a party. You are still a babe in swaddling robe, back in your neck collar. And you think it’s probably a good time to look a little more closely at this fact, given the season.

You are often told that you are strong, a fighter. That you will undoubtedly get through it all. And although you’re honored, because you know those who say it mean it as a compliment, you don’t quite understand. In fact, you’ve been wondering lately if you’ve become permanently breakable. And you fear the multitudinous noise of your post-surgical body will etch you into a specter of yourself before you even know what’s happened. For not only is your spine malfunctioning when it’s supposed to be shining, your sacrum is busted from the protracted recuperation, your leg is throbbing, your ribs are sprained, and they’ve found abnormalities on your chest, so you’re going in for a mammogram on Tuesday. And your head, well, it may as well be a pressure cooker and you wish it would just blow off into pieces already.

Yes, it’s six moths out of operative times and, although you were all but guaranteed that you would be resurrected, dancing with glee, you might as well be right back in your surgical gown, attached to machines; your endocrine system in not functioning properly–a side effect of the painkillers, you’re told–so you’ve upgraded from Evian spray to a host of portable fans. And you’re certain that upgrade is not the right word here.

When you think of that June day, when you were in the hospital hooked up to the IV line and other contraptions, waiting five hours for surgery to actually happen, rushing down the hall to pee every few minutes, as much anyone could rush while affixed to all that equipment, the image of your mother is the first that comes to mind. She is wiping the public toilet seat clean of the stranger’s blood you discovered splattered all over as you were positioning your body and the machines in just the right way so as not to rip out the intravenous line that took the nurses four tries to get into your vein. Without missing a beat, your mother does what needs to be done as she calms you, her germaphobe daughter. You are giving it all you’ve got too—trying your best to banish the thought that you could be done in before the surgeon even gets hold of your neck, if not by hospital acquired infection, as thousands of patients annually are, then by the unprecedented anxiety swelling.

Now you’re not into histrionics, really, but a tear wells up in your eye for the gift of your family, and your kin-like friends too, who have made your life possible during this humbling time. And you know, like anyone who has a spiritual bone in their body does, how the old saying goes—“You are never in control.” But this is no longer a divine lesson. It is a cold, hard fact. To learn how to tolerate the helplessness borne of post-surgical balkiness while believing in the metaphysical fact of your freedom, well, this is a course of its own that you’re very much in the midst of taking.

On believing, Mary Baker Eddy writes, “The Hebrew verb ‘to believe’ means also ‘to be firm.'” Infirm and firm. Consecration in unexpected states. So thank you, I say, for this gift of swaddling clothes. Despite its restraints, it continues to turn me around, to move me to see that it’s not about fighting, not in the least, but rather about trusting in the paradoxical nature of things. The pureness, after all, of that most determinative triptych—selflessness, longsuffering and love—around which much of the world is conspiring to gather this week, and that has quite literally saved me, was brought forth in a trough.

Yes, so much of it is about learning to love. And about recognizing love when it comes. So here in the midst of the maelstrom I pause to remember that I am stunningly fortunate, surrounded by people who refine me:

Carol, who prays without ceasing and gives in a manner that redefines miracles, that leaves beauty speechless.

Karen, who IS understanding, support and sanctuary.

Richard, who when I ask him to walk with me a mile, walks with me twain. My analog hero in this digitized world who waits for me to show up for a good amount of time, even though he knows I’m probably not able to.

Anne Marie, who carried me through that urgent first night, saw the true babe in me, and didn’t flinch once.

Dad, who lies down beside me when I’m unable to move, and stays with me there until I’m okay.

Mom, who is my voice when I’m unable to speak, whose patience is a grace, and who transforms so much by excelling at an art in danger of extinction—listening.

Gold, frankincense and myrrh. Faith, levity and light.

You sanctify the glow of silent nights. You say, “Peace child, it will be alright. (And, really, all is already well.)” Thank you, my Magi. I write this and hope my gratitude expands through the sky, echoing thunderously. For it is you who help me to trust that, with firmness as deep as the earth that steadies me, one day I’ll be afforded the pleasure of giving you frankincense, gold and myrrh of my own. But this Christmas I bring thank yous, and I send them out in defiance of all that tries to convince me there could be any undertakings more crucial, more burning, more influential than to believe and to love.

Thanksgiving

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Photograph by Rob Reed

Sometimes when it seems you’re losing much—your trust in the surgeon to whom you submitted, allowing him to slit your throat and reorder your spine; your hope, five months out of surgery, that the procedure will improve your life, that you will ever again move freely, have anything resembling your pre-surgical life—you remember the autumnal trees, their foliage, and what such splendor teaches about loss. When you’re in a knot and on fire about all that was promised, about all that has gone, you look outside to try to see. To see how the trees teach that, so often, you only lose that which you don’t need. If the crimson and saffron leaves lustered skyward into winter they, of course, would damage the maples and oaks and other deciduous trees, eventually killing them come spring. So when grief is metastasizing, when it seems you’re losing all you do in fact need, that you cannot fathom going on without, it comforts you in some small way, this foliage and this falling, the beautiful science of it (that is so easy to forget). And so you’re thankful, thankful for the way in which the oaks and their golden giving bespeak a cornucopia or two that you just don’t discern yet. The trees, in letting go and in losing, assure you that there is a precise and vital system at work. A principle that you may not always see completely nor understand at all, but that dependably, eventually yields benediction.

A Fourth, A Freedom

Don’t be too quick to draw conclusions from what happens to you; simply let it happen. […] One must be so careful with names anyway; it is so often the name of an offense that a life shatters upon, not the nameless and personal action itself, which was perhaps a quite definite necessity of that life and could have been absorbed by it without any trouble. 

~Rainer Maria Rilke

The patient sits on the loveseat in the breezeway looking at all the lilies in the garden and wondering with an urgency she is trying in vain to subdue if her life will ever change. Will the strife of the spine surgery be worth it—there’s a chance, the surgeon insists, that the procedure and its aftermath won’t change a thing; will she be able to find employment after this indefinite swath of recovery; will she meet someone with whom she can spend her days, or will she continue to avoid the online dating scene because of not being able to bear one more squalid date? (Is it even possible anymore to meet someone on the outskirts of the electronic ether, live and in the world with pheromones and worn-in jeans instead of with seven smiling headshots glowing on her computer screen?) She wonders if she would be so awash in conflicting emotion about her solitariness if it weren’t highlighted by her neighbors, robust families with young children who often and for no reason howl “Daddy! Mommy!” with delight. They also cry unabashedly, a fierce, shameless cry that the patient admires. Sometimes, when the patient is overwhelmed by the inexplicable, as she lately is, she tears up with them there on her side of the fence.

The patient looks out and realizes that a bunny the size of a thistle is a few feet before her, eating a leaf in perfect rhythm, not at all deterred by its measure, that it is hanging out of its mouth for a mile. Just chewing and chewing, as if the act itself were the most spectacular thing about being alive. No, not even; because, the patient envies, the bunny, being a bunny, is eating without a weakness for naming. The patient then experiences a longing with a strength unlike any other: She wishes that she could return to the state of the children, of the bunny—the state of purity that is without story. A state opposite of what this world is—image, image, image. To not be thirty-six and wondering when the narrative of a convalescing single will change (and wondering, even, if it is in contrast with spiritual equanimity to want it to. Wondering because, in the same breath, the patient knows that without want there is just a whole lot of nothing). Nor thirty-six and trying to steel herself (or evolve) into a state of acceptance regarding it all—all the restless uncertainty.

The patient puts her neck brace aside and, as she tries to walk toward the baby rabbit without causing it to startle, she realizes that she may look like someone who is moving as though she were trying to balance a phone book on her head. Someone who keeps her neck still and straight by bending from her knees and turning from her torso. There is a stiff elegance about her, she imagines, which makes her feel less lame. The wind rustles the Steri-strips on her incision and the patient wonders what it means that the surgical ink has dripped in such a way that there is now a perfect blue cross on her neck. She wonders, too, why the incision across her throat is so long. Didn’t the surgeon originally say that it would be an inch to an inch and a half in length? It is more like two. The rabbit pounces away into a tall flower patch surrounded by trees.

And the rising space that distinguishes the four Japanese Maples—white garage wall and pointed roofs and mellow sky—is akin to the patient’s ridging storylines, tempting with the ostensible beauty of definition, sealing confinement.  Three of the Maples are on the other side of the fence. But when the patient looks up as far as she can, which isn’t very far given her mending neck, the edges alter, softening in breaths of light. With the weightlessness of day branches swell and tangle and gleam, breaking through the sky-lines, and the patient feels the names and the images and the presumptions and the fears—the cravenly narratives themselves—collapse. There is no room for them—their splintered thinness, their singularity, their limits. There is only the saturated depth of dusk on an early summer evening holding upswept limbs, scarlet greens and the audacity of the moment, expansive and undivided.